(photo credits clockwise from top left: theguardian.com, americansongwriter.com, hipstervrealworld.wordpress.com, houstonpress.com, vogue.com)
Summer’s upon us, and though the memorable, sure-to-delight summer blockbusters of old have been on their way out for quite a while, summer music releases never fail to delight. These may not be on any big, honkin’ billboard list, but these are a few of the titles I’m most looking forward to hearing this season.
I’ve been listening to a lot of Crosby, Stills, Nash and this guy lately, and it’s fantastic stuff to use up an afternoon with. Each member of this iconic foursome found success in their respective solo careers, and Mr. Young was no different. His last few albums, however, left much to be desired. Call me a stubborn traditionalist, but I preferred his songs more when the political jabs and searing social commentary was folded in like good metaphors ought to be, not just piled on like some over-sugared meringue.
That said, lately Young has been getting back to basics, though not necessarily of the original lyrical sort. Instead he’s turned his attention to the basics of sound production and the impact it has, good or bad, on our listening experience. One way he’s done this is by becoming something of a sonic evangelist, making sure everyone can hear music properly. That is, high quality (192 kHz). “The way it was meant to be heard” (As opposed to the compressed versions of the tracks heard on CDs or MP3s– less than 40 kHz– that sound as good as if you were, as Neil puts it “underwater”). The result is Pono, a new music service that gives listeners the ability to purchase and play high quality sound versions of their favorite songs.
On the other end of the spectrum, there’s his new album, A Letter Home, which features a decidedly more low-fi– but not low quality– sound. The album features 12 covers of popular folk, country, and rock tunes from the last 70 years, all performed by Young himself and recorded using a 1947 Voice-O-Graph Recording Booth. Once a staple of carnivals and county fairs nationwide, Young recorded the album on one of the few remaining models, owned by fellow sound enthusiast and music nostalgist in the best way Jack White and his Third Man Records label in Tennessee.
It’s just Young, his guitar, sometimes a harmonica, and the sparse, warbly sounds of an old vinyl record machine making beautiful music. Sounds good to me.
The Swedish folk duo that brought you the 2012 sleeper hit “Emmylou” is back with another round of spooky, mysterious late-60s-era psychedelia folkie stuff. Expect more beautifully haunting vocal harmonies, sweeping, arpeggiated strings, and stories of estranged lovers getting their just rewards. If you’re still unsure of what to expect, think She and Him minus the Him part or Edward Sharpe and the Magnetic Zeros minus Edward and the other boys of that posse. Or just take a peak at the advert for their new disc / homage to 70s B-movie wonderment.
Now take the male half of the bands previously mentioned, add to the mix the raucous bluegrassy, folksy stylings of The Lumineers or the roots-rock vibe of Kingsley Flood, and you’ll have these guys, The Felice Brothers. They are to bluegrass and roots what deviled eggs and turkey bacon are to brunch: slightly updated standards, but still satisfying. These guys are also a ton of fun live. They opened for Josh Ritter during his spring tour last year and got the crowd plenty ready for a long evening of good tunes and good times. Go see them when they come by this summer.
I’d lost track of this guy for a time, so I was excited to learn that there’re plans on the table for a new full length release sometime this year. A Chicago-based MC, this album is inspired by and dedicated to the young people of the hometown he loves so much. It reflects its troubles while also celebrating its successes. In the artist’s own words it’s meant to be a “wake-up call” for those who haven’t been part of the positive solution. It has been some time since anything else was mentioned about this project, though he has been awful busy supporting his nonprofit’s community events and initiatives around town. Can’t be mad at an MC with a track record of doing good in his community. No doubt it’ll be worth the wait.
Talk about much anticipated releases. Back in November of 2013, this golden-voiced soul singer announced plans to drop his next record sometime this year and soon thereafter released the first single from that album “Million.” Since then, however, it’s been relatively quiet. Like Common he’s also been rather busy with a world tour, spreading the love and good vibes through his music, his Instagram account, and his ridiculously wide grin, so it’s understandable that he may not have had the time to let the people know when to expect his next release. Still, with pipes like that, it’s surprising that he wouldn’t have had things ready to go by now. He’s got the sort of voice that’s made for summer beach mixes.
For now, we’ll just have to wait like good boys and girls and let treats like these hold us over.